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And the courage comes from the belief that that spark is real." Sometimes you gotta change the situation you're in, in order to do that. "When you get a view of something that really speaks clearly to you, your job is to follow that spark," Loggins says. To get there, he had to throw everything up in the air and see what came back. He had a breakthrough in 1990, when he began to understand "how holding things in a certain way matters" - including his view of himself. Spirituality has been a presence throughout his life, manifested in different ways from Catholic school as a child, to later practicing meditation and gratitude. While Still Alright tells the stories behind Loggins' career, it also details his journey toward self-acceptance. He began experimenting more with jazz and R&B, dismissing radio hit-making formulas to stretch his creative muscles and allow his vulnerability - always his superpower - to lead the way, like on 1991’s Leap of Faith. Loggins’ solo work further cemented him as a force in the balm of soft rock, especially as he leaned deeper into his appreciation for collaboration - working with everyone from Michael Jackson (“Who’s Right, Who’s Wrong”) to Stevie Nicks (“Whenever I Call You Friend”). “Then again, I’ve seen ‘What a Fool Believes’ listed as the genre’s definitive song, so maybe it was me and McDonald on the vanguard,” he writes, referring to the GRAMMY-winning tune he wrote with Michael McDonald.
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Their 1973 album Full Sail also was, as Loggins writes, “on the goddamn vanguard” of breezy, laid back, nautical-themed music that would later be defined as yacht rock. With sublime harmonies and a soulful blend of rock and country layered with lush, sharply-crafted instrumentation, songs like “ Angry Eyes ” and “Your Mama Don’t Dance” made Loggins & Messina important contributors to the folk-rock genre that was increasingly popular at the time, alongside peers like the Eagles and Fleetwood Mac. Loggins came to prominence in the early 1970s with Loggins & Messina, a duo formed with Jim Messina, who had recently left Poco and was looking to produce. Loggins’ impact spans generations, in part because he has always followed his heart. Loggins contributed era-defining songs for movies like Footloose and Top Gun (“Danger Zone” is reprised in Top Gun: Maverick, the 2022 sequel to the iconic 1986 original) - but soundtracks are just one piece of his wide-ranging legacy. The book’s title is a wink at “I’m Alright,” the hit Loggins wrote for the 1980 film Caddyshack. “That weekend was the beginning of the next part of my life,” Loggins writes in his memoir, Still Alright, in which he reflects on his remarkable 50-plus-year career as a singer, songwriter and soundtrack maestro.
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So, he hopped into a van with a few other young people to chase a counterculture vibe that resonated more - to follow a spark that had ignited within him. They weren’t really his crowd and he was searching for deeper meaning. He had been in Pasadena just hours earlier, on a group date that was kind of a drag. One morning, in the summer of 1966, Kenny Loggins found himself at a peace rally in San Francisco.